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		<title>How to hack public space with sound</title>
		<link>http://transitoryart.org/how-to-hack-public-space-with-sound/</link>
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		<pubDate>Mon, 21 Jul 2014 03:20:39 +0000</pubDate>
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		<description><![CDATA[How to hack public space with sound by Nik Nowak 1. Open your window Open your window and turn the volume of your hi-fi system to max. 2. Mobile phones Use your mobile phone to listen to loud music on public transportation. 3. Boombox If you attach importance to high fidelity, sub-bass, and style, use [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>How to hack public space with sound</strong></p>
<p>by <a href="http://transitoryart.org/nik-nowak/"><span style="text-decoration: underline;">Nik Nowak</span></a></p>
<p><em>1. Open your window</em><br />
Open your window and turn the volume<br />
of your hi-fi system to max.</p>
<p><em>2. Mobile phones</em><br />
Use your mobile phone to listen to loud music on public<br />
transportation.</p>
<p><em>3. Boombox</em><br />
If you attach importance to high fidelity,<br />
sub-bass, and style, use a classical boombox<br />
instead of a mobile phone.</p>
<p><em>4. Mobile Booster</em><br />
Build your own „Mobile Booster“.</p>
<p><em>5. Pimp your car</em><br />
Put as many speakers and subwoofers as you can<br />
inside your car and cruise<br />
around your neighbourhood.</p>
<p><em>6. Acoustic weapons</em><br />
Join the military and get your hands on acoustic weapons.</p>
<p><em>7. Mosquitos and classical music</em><br />
Use the so-called Mosquitos to prohibit young people and dogs<br />
from hanging out in public spaces (has been used in the UK). Use<br />
classical music to prohibit older people from hanging out in public<br />
places (in use at the main station in Hamburg).</p>
<p><em>8. Krachdemo</em><br />
Organize your own noise demonstrations.<br />
Protesters have to bring pans and pots with them and make a<br />
hell of a noise.<br />
“Krachdemos” are a very popular way in<br />
Berlin-Kreuzberg to protest against gentrification.</p>
<p><em>9. Human mic</em><br />
If police forbid using microphones and amplifiers, make use<br />
of the human mic to amplify your voice like it was shown at the<br />
occupy movements in NY. The words of the speaker are repeated<br />
by the masses around him like an echo until they are heard in<br />
the last lane.</p>
<p><em>10. Silence</em><br />
Produce absolute silence by inventing a<br />
Ballardian Sound-Sweep. Alternatively,<br />
produce a vacuum; unfortunately that<br />
wouldn’t be a very friendly environment<br />
to live in.</p>
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		<title>Long May It Wave</title>
		<link>http://transitoryart.org/long-may-it-wave-2/</link>
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		<pubDate>Mon, 21 Jul 2014 01:03:49 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
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		<description><![CDATA[by Azahara Cerezo Long may it wave is an itinerary that takes as reference flags that wave at different buildings in Ljubljana (Slovenia). This is one possible way to raise questions about the city, its conformation, and development at many different levels. This proposal becomes an urban action that aims to explore surroundings, planning, tourism, [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>by <a href="http://transitoryart.org/azahara-cerezo/"><span style="text-decoration: underline;">Azahara Cerezo</span></a></p>
<p><em>Long may it wave</em> is an itinerary that takes as<br />
reference flags that wave at different buildings<br />
in Ljubljana (Slovenia). This is one possible<br />
way to raise questions about the city, its<br />
conformation, and development at many different<br />
levels. This proposal becomes an urban action<br />
that aims to explore surroundings, planning,<br />
tourism, temporary elements and routes, and<br />
addresses strategies of space creation and use<br />
in an urban environment.</p>
<p>EXHIBITION AT MoTA POINT<br />
Gosposvetska cesta 12, 1000 Ljubljana<br />
21st June 2014<br />
www.motamuseum.com<br />
Azahara Cerezo<br />
www.longmayitwave.net<br />
www.azaharacerezo.com</p>
<p>&nbsp;</p>
<p><strong>PARLIAMENT</strong></p>
<p>This is the biggest national flag in the country.<br />
Since Slovenia is part of the EU, the EU flag is permanently<br />
displayed, along with the flag of the Republic of Slovenia, at<br />
the seat of the National Assembly, the National Council, the<br />
President of the Republic and the Government, and during various situations and beside other authorities.<br />
This is a shared protocol in the EU. As a result, country<br />
sovereignty changes. In 1957, the tariff policy was surrendered,<br />
laying the foundations for a single market. In 1992,<br />
currencies – symbols of nationhood as resonant as national<br />
flags – and monetary policies were gone. Nowadays, not only but<br />
especially the countries that have received a bailout are less<br />
able to manoeuver independently.<br />
The EU flag was created in 1985, although it had been already used<br />
by the CoE since 1955. The creation of the European flag is<br />
a mix of historical necessity (to display the sign required from<br />
any political entity) and conjunctural motivation (to become a<br />
communication resource).<br />
It is a recent flag – like the Slovenian – and according to<br />
the resolution 55.32 of the Council of Europe, the blue is<br />
an evocation of the blue of the Western skies, and the stars<br />
represent the people of Europe in a circle, a symbol of<br />
unity; they are invariably 12, symbol of perfection and<br />
completeness. This is why no stars are added when a<br />
country enters the EU.<br />
Does the visual aspect of the flag represent the cultural<br />
references provided by the European idea? The introduction<br />
of the EU banner has been considered a massive shock to<br />
the experience and structures of identification of the people,<br />
whose traumatic effects may have been underestimated,<br />
according to Foret. In 2007, only 54% of Europeans say that<br />
they identify with the emblem.</p>
<p>&nbsp;</p>
<p><strong>EU FLAGS</strong></p>
<p>Flags are mainly a tool for identification and initially had<br />
military purposes. Knights carried flags to distinguish<br />
enemies from friends in battle. Around<br />
1000 BC, the Egyptians used primitive versions of flags made out of wood<br />
or metal. In the Late Middle Ages, flags started to represent<br />
city states and communes. By the end of the 18th century,<br />
the earliest national flags were born and in the 19th and 20th<br />
centuries, almost every state introduced a national flag.<br />
These flags from EU countries have been on Slovenska<br />
Street since 2008, when Slovenia held the EU presidency for six months.<br />
Urban arrangements were carried out by Pazi!Park, a<br />
group of landscape architects. They improved the parking<br />
lot, but it remains as an urban void, a space that disrupts the<br />
tissue of the city, not being used for what it should be or was<br />
intended. In this case, it is a provisional space until the<br />
City Tower, an office building for Telekom Slovenije, can be<br />
built. Actually, there is a flag next to EU country flags<br />
from Immorent, the construction company that is going to construct<br />
the building. They have already obtained all building permits, but are<br />
waiting until the real-estate activity improves. There are<br />
flags from Telekom Slovenije beside the EU flags. In general,<br />
commercial flags are used to attract customers, enhance the recognisability of<br />
products or services and become visible. Telekom flags are<br />
signalling the headquarters of the company. They mark a big<br />
institution, therefore a big power.<br />
Telekom is the largest electronic communications operator<br />
in Slovenia. The Slovenian government is determined to<br />
sell it by the end of 2014 as part of the National Reform<br />
Programme and Stability Programme. Privatisation is a<br />
common measure among countries that are in the<br />
spotlight for a bailout, a shared political strategy that<br />
overcomes the role of the state.</p>
<p>&nbsp;</p>
<p><strong>SOUVENIRS</strong></p>
<p>All Western cities search for their singularity to attract tourism<br />
and boom the economy. It is a growing process in Slovenia:<br />
accommodation facilities recorded 3,297,556 tourist arrivals<br />
and the number of tourists in 2012 was 3% higher than in<br />
2011. Destination marketing organizations (DMOs) are in a<br />
constant battle to attract travellers. This process of building a<br />
distinctive city is usually known as destination personality or<br />
destination brand, a long-term process to evoke emotional<br />
links between tourists and the symbolic value of a place.<br />
“I feel Slovenia” was the last slogan. It addresses both the<br />
characteristics of the country (the Alps, the Mediterranean<br />
Sea&#8230;) and the benefits of visiting the country.<br />
A destination brand needs the construction and maintenance<br />
of a national identity through the use of historic symbols in a<br />
selective way. One of these is the national flag. However, in<br />
Slovenia, due to its history and recent conformation as a state,<br />
it is not distinctive enough.<br />
The New York Times referred to this matter as “Slovenia’s<br />
identity crisis”. Slovenia is often confused with Slovakia.<br />
Their flags, which are very similar, do not help.<br />
There have been some proposals to vary the flag. Mladina<br />
magazine organized a contest in 2002, for example.<br />
Besides, there is a thesis that reviews the constitutional<br />
basis to conclude that it is perfectly legal to adopt the vertical<br />
geometric rules for the creation of the Slovenian flag. This<br />
means that the country could use the flag without the<br />
coat of arms and not be confused with Russia. Souvenirs,<br />
understood as mementos that evoke the experiences lived,<br />
also represent and contribute to the singularity of a<br />
place. The stand of the picture, apart of selling souvenirs,<br />
marks the beginning – or the end – of one of the main commercial<br />
and tourist streets of the city, too.</p>
<p>&nbsp;</p>
<p><strong>COURT OF AUDIT</strong></p>
<p>The idea of supranational organisms that are not subject to<br />
democratic control and are the true decision makers is<br />
related to the function of the Stock Exchange. In this case,<br />
the Ljubljana Stock Exchange is the only Stock Exchange in<br />
Slovenia. No Slovenian flags wave outside the building. In fact,<br />
the Stock Exchange is not a public institution as such, it is<br />
managed by a holding company named CEESEC, and it does<br />
not have the obligation of displaying the Slovenian and/or the<br />
EU flag outside.<br />
Any Stock Market hosts great capital movements providing<br />
activities that involve trading stocks, bonds and other<br />
securities. Stock exchanges are a symbol of power and they<br />
are usually located within the financial sector of a city. This is also<br />
true in Ljubljana, but the financial area is small.<br />
The squares in front of stock exchanges have been the<br />
scene of protests around the world. We can say that the<br />
public space is the space of representation, where the society<br />
becomes visible. From the Greek agora to the recent protests,<br />
like the Arab revolution or the Occupy movement, the public<br />
space is something from where we can relate/narrate the history of a<br />
city. Therefore, the quality of the public space is the main<br />
condition to acquire citizenship today, according to the urbanist<br />
Jordi Borja. And these citizens have been broadly protesting.<br />
The former Slovenian Prime minister was brought down in part by<br />
street demonstrations in 2013. These protests share a claim<br />
against social injustice, corporate greed and the influence of<br />
companies and lobbyists on governments. In Ljubljana, 15O<br />
protests (2011) took place at Congress Square and later moved<br />
to the Stock Exchange. Protesters occupied the square and<br />
the camp size accommodated 30 tents and 150-200 participants. It ended<br />
in early 2012. During the protests, people carried messages<br />
that we may consider ephemeral and unregulated flags.</p>
<p>&nbsp;</p>
<p><strong>TRADE UNION</strong></p>
<p>Several flags wave in this area: a local flag of the City<br />
of Ljubljana along with the Slovenian and the EU flag. Commercial flags (Metalka Trgovina) and flags from the Free Trade Unions of Slovenia can also be found here.<br />
The three colours of the national flag are usually identified as<br />
colours of liberty and revolution. They take as reference the<br />
French Revolution colours of 1789. Besides, the three-coloured<br />
flags are revolutionary icons across Europe. After the 2nd<br />
World War, the tricolour flag was also used as a basis, but it<br />
included a large red star. In 1991, the new flag with the coat<br />
of arms replaced the star. The coat of arms is a shield with<br />
the image of Mount Triglav (“the Three-Headed”), Slovenia’s highest<br />
peak. Marko Pogačnik designed it as a “cosmogram”, a<br />
geometric figure representing a cosmology. He took a holistic<br />
approach to the territory and energy of the Slovenian identity. He<br />
shaped a coat of arms that aims to connect the country with<br />
its essence and the cosmos.<br />
We can walk around noticing (or not) the flags or any other<br />
symbol, maybe because we are tourists trying to find<br />
something in particular, something included on our tourist<br />
map. It can be also because we are locals used to these<br />
streets. Somehow, this connects with a certain Proustian<br />
idea that the real voyage of discovery consists not in seeking<br />
new landscapes, but in having new eyes. There is an order<br />
marked by signals, legal regulations, the function of buildings<br />
and urban equipment, all related to decision centres. These<br />
rules are mostly hidden and they are only revealed or evoked<br />
by the absence and exclusion of those who might transgress<br />
them, according to Stan Winford.<br />
In between this planning of urban areas, the citizen has to deal<br />
with everyday life. The drift can be a possibility to disrupt<br />
it: walking as an unproductive action that can question the<br />
logic of the urban rhythm.</p>
<p>&nbsp;</p>
<p><strong>STOCK EXCHANGE</strong></p>
<p>Some of the latest protests, not only in Ljubljana but almost<br />
everywhere, target the refusal of austerity, the growing inequality,<br />
the influence of corporations over political powers and the lack of<br />
truly democratic and transparent mechanisms.<br />
It is necessary to have independent institutions to achieve<br />
transparency. According to the last corruption barometer of<br />
international transparency, 49% of Slovenians think that the<br />
corruption is a serious problem in the country, 36% of them consider<br />
that Government’s actions fighting it are very ineffective, and<br />
46% of them believe that the Government is to a large extent run by a<br />
few big entities acting in their own best interests. The Court<br />
of Audit is the main institution dedicated to supervise state<br />
accounts, state budgets and all public spending in Slovenia.<br />
It is independent in the performance of its duties, but since it<br />
is an official institution, the building waves the Slovenian flag,<br />
along with the European one.<br />
The Slovenian flag is formed by three equal horizontal bands<br />
– white, blue, and red – and by the Slovenian coat of arms<br />
in the upper hoist side of the flag, centred in the white and<br />
blue bands. The three-coloured flag first appeared during<br />
the Spring of Nations, and is based on the flag of the Duchy<br />
of Carniola (Kranjska) consisting of a blue eagle on a white<br />
background with a red-and-gold crescent.<br />
The Spring of Nations was a series of political upheavals<br />
throughout Europe in 1848. It remains the most widespread<br />
revolutionary wave in European history, but within a year,<br />
revolutions collapsed. The first Slovenian political programme,<br />
called ’Unified Slovenia’, emerged during this episode. It<br />
demanded to unify all the lands inhabited by Slovenian<br />
people into one province, Slovenia. There, Slovene would be<br />
the official language and it would be an autonomous province<br />
within the Habsburg monarchy.</p>
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